Rembrandt Collection
Rembrandt van Rijn
12 works
Portraits and biblical scenes, in paint and in etching.
Rembrandt worked the etching plate as seriously as the canvas, and the prints are where the experiments happen — the same face lit four ways, biblical scenes staged like something overheard in a room.
About the artist
Rembrandt van Rijn
Dutch, 1606–1669. Ran the busiest studio in Amsterdam, went bankrupt, and kept working.
The works
A mix of portrait and landscape. Mirra can show only the ones that fit your screen, or mat the rest.
Three Oriental Figures (Jacob and Laban?)
Rembrandt van Rijn · 1641 · Etching on paper
Elizabeth Hammond Stickney Collection
CC0 1.0 (public domain) · Source
Old Man with a Gold Chain
Rembrandt van Rijn · 1631 · Oil on panel
Mr. and Mrs. W. W. Kimball Collection
CC0 1.0 (public domain) · Source
Abigail Inskeep Bradford
Rembrandt Peale · 1803–8 · Oil on canvas
Gift of Mrs. Herbert A. Vance
CC0 1.0 (public domain) · Source
Adam and Eve
Rembrandt van Rijn · 1638 · Etching on ivory laid paper
Gift of Marjorie Blum Kovler Foundation Collection and the Harry and Maribel G. Blum Foundation Collection
CC0 1.0 (public domain) · Source
Self-Portrait Etching at a Window
Rembrandt van Rijn · 1648 · Etching, drypoint and burin in black on ivory laid paper
Amanda S. Johnson and Marion J. Livingston Endowment and Clarence Buckingham Collection
CC0 1.0 (public domain) · Source
Christ Crucified between the Two Thieves: "The Three Crosses"
Rembrandt van Rijn · 1653 · Drypoint and burin on paper
Clarence Buckingham Collection
CC0 1.0 (public domain) · Source
Young Woman at an Open Half-Door
Workshop of Rembrandt van Rijn · 1645 · Oil on canvas
Mr. and Mrs. Martin A. Ryerson Collection
CC0 1.0 (public domain) · Source
Seated Female Nude
Rembrandt van Rijn · 1660/62 · Pen and brown ink and brush and brown wash, with subtractive highlights (scraping) and touches of opaque white watercolor corrections, on ivory laid paper, laid
Clarence Buckingham Collection
CC0 1.0 (public domain) · Source
Samuel Fisher Bradford
Rembrandt Peale · 1803–8 · Oil on canvas
Purchased with funds provided by Mr. and Mrs. Herbert Alexander Vance
CC0 1.0 (public domain) · Source
Kostverloren Castle in Decay
Rembrandt van Rijn · c. 1652 · Pen and brown ink, with brush and brown wash, heightened with touches of opaque white watercolor, on cream laid paper
Clarence Buckingham Collection
CC0 1.0 (public domain) · Source
The Hundred Guilder Print
Rembrandt van Rijn · c. 1648 · Etching and drypoint on tan Japanese paper
Bequest of Ethel Wrenn
CC0 1.0 (public domain) · Source
The Phoenix or The Statue Overthrown
Rembrandt van Rijn · 1658 · Etching and drypoint on ivory laid paper
Clarence Buckingham Collection; Amanda S. Johnson and Marion Livingston Endowment
CC0 1.0 (public domain) · Source
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